A new ingredient

A friend of mine who follows trends of IT over 20 years visited Berlin to cover IFA as a press. (IFA=the German biggest trade show for consumer electronic products) As her interpreter, I joined her in the mega event at ICC Berlin. Coincidentally I got to see TEDxBerlin since IFA collaborated with TEDxBerlin. I met her at Betahaus, a co-working place in Berlin. As soon as we gladly hugged for our reunion, we jumped in our conversation as we had much to catch up.

Two years and three months of my Berlin life. It’s an expedition of the human consciousness and the body. It enables me to re-discover the intuitive, intrinsic, and simple side of a human animal who is freer from patterns and habits that s/he unconsciously and blindly acquires as growing in societies and organizations.

We humans and many other species whose intelligence and consciousness are capable of choice and judgement make a decision at every moment. Our life consists of an accumulation of decisions. Without choices and decisions, no life survives nor evolves. A decision-making behavior and energy consumed for it is like a “quantum” (=the minimum unit of any physical entity involved in an interaction) of sentient beings.

I practice in tuning up and refining the body, brain, cognitive process, perception, sensual faculties and energy flow. With the attuned eyes, I observe my decision-making process to grasp the essence of human decision-making process. The more conscious I become of factors that influence the decision-making process, the more reductive it becomes. Less and less grey clouds of miscellaneous thoughts. More and more simplified games of random emotions. My decision-making process comes to have less choices but more certainty.

The exploration of the human animal goes further. I make progress and move forward during the waking time. What about while I sleep? Do I make a decision during my dream? Where does my consciousness go? Why do we lose our consciousness over and over, again and again, every night? Losing the conscious is like a little death. (and yes, la petite mort is another virtual dying experience!) As a result, I practice the Tibetan Dream Yoga, which I believe is the key to decode the enigma of the human consciousness, body, dream, sleep, and death.

The pursuit for finding out the essence of the human animal leads me to another realization. Why do we not communicate with the other animals more frequently on a regular basis? Majority of animals are domesticated ones around us. I would like to contact to more diverse wild ones. They co-live and fight against each other, while the human animal is secluded way too far.

My friend attentively listened to my words and displayed an amused expression on the face. She wasn’t reserved to show her surprise. “That’s exactly the same as what scientists who do research on Singularity want to investigate.”  She lately interviewed Japanese top scientists and engineers in the Singularity field.  “This is so interesting!” said she. It was totally out of the blue to me as well, because Singularity didn’t attract my attention at all until this moment. My attitude toward it was “none of my business.” I’m not techy IT savvy. but more fascinated with sentient beings of the analog physical world. Moreover, the theme of TEDxBerlin was “exponential change,” all about Singularity. A title of a book that she happened to bring with her in the airplane was”The Problem of 2045.”  Now I’m reading the book that she gave me. “This synchronicity is something. Why don’t you read it?”

In my theory, the human body must evolve drastically in oder for the human consciousness to advance deeper. Why? Because the brain, body, and consciousness are interconnected. It’s said that genetics of Homo Sapience have remained the same for the past 50,000 years at least. Biologically we haven’t changed for that long time. If the container is the same, how can only the consciousness and mind transform? I suppose there is a physical limitation to a paradigm shift. Therefore, the extension of human body such as technology and media is a huge potential. Needless to say, we have to discuss agenda in bioethics and philosophy. But, I think we can expect positive outcomes as much as fatal risks. Otherwise, growth of  the human consciousness will be stagnant, I guess. (this is where we are now?)

Such an ancient practice as yoga and meditation is the art of transforming the physical body on our own. However, this approach isn’t for everybody. A wide variety of approaches should be available. Hence, it’s relevant that genetic engineering, nanotechnology, and biohacking develop rapidly.

The exponential change of technology might accelerate the gap between the human consciousness and the extended human body, and yield even more disasters. Some Singularity scientists warn it. Nonetheless, I think there is probably another path. Breakthrough because of maturity of the extension of the human body.

I got a new ingredient to cook in my tray: Singularity.

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space in-between

When I sense the center core (or the central channel), it feels not like the straight blue line paralleled with the spine. It is like a tiny narrow space in-between fragile pink petals of a captivating rose which is just about blooming.

中核(セントラルチャネル)は背骨に沿ってシークレットチャクラからクラウンチャクラに一直線に伸びる青い線と言われるけれど、私にとっては、艶やかなピンクのバラが可憐に開き始めた花弁と花弁の間にある薄く小さな空間に居るように感じる。

A big lazy cat curls up on a pathless land.

 A friend of mine said to me, “you’re creating a path, instead of following a path.” and suggested Kurishnamurti to paraphrase my living art in Berlin. I hadn’t paid attention to Kurishnamurti before. After reading this http://www.jkrishnamurti.org/about-krishnamurti/dissolution-speech.php I do see similarities to his world view.

A belief is purely an individual matter, and you cannot and must not organize it. If you do, it becomes dead, crystallized; it becomes a creed, a sect, a religion, to be imposed on others.

Especially I agree with the wording he chose in bold: it becomes dead, crystalized.

At this stage, there are only a few things that I earnestly want to learn. Achievement, crystallization, and results per se no longer interest me. I don’t have a desire for producing outcomes to the society, curving a trace of my existence into a history, and creating new values. Many people expect and egg me. But my heart is somewhere else.  I’m becoming a lazy big cat.

After living in Berlin as a social experiment, some say to me, it’s time for you to crystalize, generate something. However, it doesn’t resonate to me. Truth is a pathless land. What an intriguing message Kurishnamurti left! A pathless land would be an equivalent of emptiness, Ku (空), in Buddhism terminology. Ku means the sky and space.

During meditation a few days ago, the axis within me shifted. I could be grounded on the center core deeper and stronger than ever. I used to concentrate on healing and removing pains. My whole life at that time had been dependent on the pains that possessed my left side body. After a while, I realized that a persistent never-ending attempt to completely heal pains didn’t make sense. Awareness of the pains yielded pains. They never disappeared. They harrowed me again and again. I began practicing to avert my awareness/attention from the pains. It’s been an incredibly slow progress. One day I felt “I could remove my consciousness from the pains!” Another day, they madly preoccupied me. It’s still more or less like that now. Nonetheless, I’m finding the firmness and stability very strongly. The pains reside here as always. But, electro currents running through my left body don’t bother my meditative state. I can rest on something but the pains.

It’s not about eliminating the pains. Life is to keep connected to inner peace no matter what and where, even on a road to death. That’s why I’m doing Dream Yoga. Not vibrations of pains but vibrations of bliss are slowly taking over me.

These days, I feel that time doesn’t belong to me. No “my life.” No “my time.” Anybody else doesn’t own time either. Time is like air and water. Time and space is everywhere. It penetrates us. Suppose this is neither my life nor anybody’s, what possibilities lay here? What choice could (my) consciousness take?

When you’re becoming fully present from a moment to a moment, you may at times become very subtle and least active, because you’re so satisfied with the world where you live and what you have done that you have few desires, no interest in future plans, goals and achievements, and the other people’s recognition. You feel stunningly touched and mesmerized just by walking on a street and sitting by the window looking at dance of fallen leaves with a wind in-between fresh green leaves and their black shadow cast on the ground. You live for weeks and months in that way, waking up, eating, walking, cooking, eating, going to bathroom, enjoying what comes into a day, and sleeping.This condition is seen to be no motivation, no energy, no ambition, no good social engagement and contribution, no significance. No attachment to outcomes, laissez-faire, appears to be at best resignation, or simply useless and lazy. I have no clue about purpose and significance of the lazy cat.

Lately, the new word is added to my lexicon: the universe. “I’m connected to the universe, goddesses, and dakinis.” I deliberately didn’t say it since it was such a misleading cliche, sounded toucy-feely new-agie, hippy-ish. Yet, I now know what it is from the gut. The universe is neither the God nor the horoscope. It’s like emptiness, and probably a pathless land.

lucid

わかっているのは死だけ。

それを噛み締めるとき、生は夢のようになる。

鏡池に映る山景色のように。

夢が明晰になると、現実も明晰になり

境界線が朧げになっていく。

雨の降る前の月夜のように。

it is only certain, death awaits me.

when I chew this certainty,

the texture of life turns into a dream.

like mountains reflected on a mirror-like pond.

the more lucid a dream gets, the more lucid the reality gets.

the boundary becomes blur.

like a misty moon at night before a rain at dawn.

 

What is your art? – A trial of responding to the question.

A general definition of art premises that art is to be seen (heard, or touched). In order to see, a product or an object is required. On the contrary, my art has no product or tangible object to show. My art is a process. Neither have I things to show nor exhibit in a gallery, though 95% of people ask me, “how do you display your art?”  “how do you track your art?” “ This is yet to be answered. What is a verb to materialize an ongoing day-to-day process that cannot be captured but flows away in a river of time? What is a verb to make an invisible, untouchable process tangible? If I discover the verb, it would make my communication to the others easier. I may know a possible verb: “to live with.” The only way of appreciating my art is to enter into it.

My definition of community is that “people are loosely connected beyond chronological and geographical distances and yet involved in one another’s decision-making process at a turning point in their lives.” I launched and developed many communities. Not all of them meet the definition. Some remain a cliche “community” in a broader sense. A “team” formed to achieve a goal of a project or business isn’t a community.

Therefore, I designed a framework where my friends and people could knock on a door and step into my life. That is, “life with.” They become a participant of my process. Becoming an actor in it is the quickest way of appreciating my art.

My art consists of multiple facets of social experimentations. Although it’s complex, I’m going to give it a try to dissect it and answer to a frequently question, “What’s your art?”

  1. Experiment in community:

I shape a new community that is the closest to the community by my definition. My community members are loosely connected to one another beyond chronological, geographical, and mental distances. Nevertheless, they will possibly get involved in one another’s critical decision-making process at a turning point in their lives.

2. Experiment in money as energy, currency:

Shifting numerous psychological meanings and connotations attached to money. Opening an alternative channel in which money is dealt differently from the conventional measurement in the capitalistic market (i.e. the equivalent exchange system of labor, socially value-added, and money). Instead, this is an experiment to exchange money with love, trust, and generosity without return, responsibility, obligation, and power dynamics that the money-goods exchange usually causes.

3. Experiment in a working style

Working is living by my definition. To work doesn’t necessarily mean that you are paid. Paid or unpaid? Employed or unemployed? Under contract or under the table? Enough to cover rent and bills or do I have to cover from my own pocket? Such a criteria for choosing a job and everyday behavior is based on the equal (value) exchange system between money and labor. I think and act out of that box. On the other hand, I don’t go for the “without money” thingy. Being anti is not my stuff. I make a decision on my work by fully (at least learning to) optimizing all the data that I can acquire, from scientific hard data and numbers to movement of spirits in elements. As a result, my decision-making process and motivations for actions are more likely different from general human behaviors in the current capitalistic society. Apparently, money influences less my everyday life choices. I expand my capacity to access as much available data as possible in the universe.

4. Experiment in the relation between the body and the mind

Through self-observation, I elucidate a link between the body and the consciousness. Interactions of the two affect which words I choose and which behaviors I select in my daily life. I carefully monitor and analyze differences in physical, physiological, psychological, mental, and cultural influences.

5. Search for the intrinsic nature of human being, as an animal species

What is wildness, instinct, and intuition? What is innately given potential in humans? I discover answers to those questions by being attentive to the finest subtleties of humans’ trivial actions, instead of being engaged in so-called “wild” and “physical” activities such as sports, athletics, and outdoors. The human physicality and intuitions are not limited to a self-sufficient life in countrysides or farming or hunting in woods. Humans use their bodies 24/7 regardless of a kind of activity. We use our bodies during sleep and brain math problems. Athletes and explorers aren’t the only wild and intuitive humans. How can I tap into human wildness and intuitions, which is largely dormant within my body in the post-modern highly developed society?

6. Creating the view on death and life

I internalize my own death and prepare for it intentionally. But, I don’t live with the “If I should die tomorrow” concept. Neither does it please me nor make sense to me. I prefer not living desperately for my life everyday, as if it would end tomorrow. Death is always here. Never leave us alone since our birth. I see it as a positive phenomenon. There is always a possibility where we become the Schrödinger’s cat ourselves in a second. We are walking towards death. To live is to be dying. The first step towards death is taken much earlier than when we recognize it. How do I ready myself for death? I want to grasp the moment of death, be alerted and conscious of death, accept it, and become it. I have no clue how I would die. A disease? An accident? A murder? A suicide? No matter what, I prepare for it every single day, by staying clear and aware of my true nature as a human animal. That’s why I practice Tibetan Bön (Buddhism) dream yoga.

7. Making my life a piece of art (this is the foundation of all my activities)

We generate ideas, expectations, and wishes to our society constantly.  “What if we had such and such a society?” “What if we could do this and that?“  “That would be much more fun than what it is now!”  These ideas formulate ideal views on our life and world. My art is to actualize the ideas. I live up to my philosophy in daily life. It’s the same as painting, building a sculpture, or making a movie. I just don’t utilize a secondary medium in order to crystalize my philosophy. My medium is my everyday life. I don’t attach much importance to “to show” and “to exhibit” my art to the others. It may not be easy for them to comprehend it as art. You can’t see, hear, or touch it as an object. But, I receive money and make my living out of this art (cf. see above: experiment in money as energy and currency). How to breathe, how to walk, how to encounter people, how to choose every and each behavior, how to sustain my life financially, socially, and psychologically, and how to spend every second. In order to make my life a piece of art, it is essential that my body, mind, and soul are always together and that my mind and soul reside in the body happily and consistently. This is the clarity of consciousness. I practice to attain the state of mind by Tibetan dream yoga, which encompasses all levels of consciousness; waking, dreaming, sleeping, and dying.

私のアート作品の説明を試みてみます

(少なくとも現代の一般的な)Artの概念、定義にはto see(to be seen)がデフォルトで入っている。To see には何らかのproduct(見る、触れる、鑑賞する対象)が必要になる。私のArtはprocessなので、 processを顕在化させる動詞はなんだろうか。それが明確になれば、コミュニケーションがもっと容易になるだろう。

それはやはり、to live with なのかもしれない。processの中に一緒に入ってもらうしかないのだ。私のコミュニティの定義は「人生の大事な意思決定に何らかの関わりを持つ間柄の人たちが、時間・地理的距離感を越えてゆるやかに繋がっている」だ。これまで沢山のコミュニティをローンチし、デザインし、育ててきたが、プロジェクトやビジネスを達成する「チーム」のままでいてはこの定義を満たすコミュニティにはならない。

だから、生きること、命に関わることに入ってきてもらう枠組みを作ってベルリンにやってきた。それは “life with”だ。Processの参加者、役者になってもらうことがartを鑑賞・堪能することにもなる。そういうArt 。コミュニティとは生きる舞台か。

そして人からの質問に答えるためには、今、実験している多面的なことを一つ一つの面に分解して説明することが避けられない。そう、説明しないといけないのだ。しょっちゅう遭遇するので観念してロジカルに整理し始めてみようと思う。これは試みの第1回です。

その面とは、

【コミュニティ実験】これまで育ててきた数々のコミュニティが浮遊するエコシステムの中で、自分の定義するコミュニティに近づける実験

【お金の実験】資本主義社会の中でお金の意味や価値を変え、市場で換算される労働的価値や社会的付加価値とは違う尺度でお金が流れる、すなわち愛、信頼、寛容さ(love, trust, generosity)によってお金がやり取りされる実験

【働き方の実験】自分の定義する働く、to work, zu arbeiten を実行する。paid or unpaid?  employed or unemployed/under contract or without contract?  enough to pay rent and bills or not enough?  といった基準から賃金との交換で働くのではないやり方。かといって、”without money” というアンチ資本主義ではなく、意思決定方法、物事への動機、思考・行動パターンが従来の資本主義経済での一般的人間行動とは違った形で「働き方」や「仕事」を、一瞬一瞬身体が受け取るあらゆる情報エネルギー(科学的データからスピリットの動きまで)をフル活用して選び取っていく。それは波に乗るのと非常に似ている。

【身体と意識の実験】身体と意識がどのように連動し、日々の一つ一つの言動に作用しているか自己観察によって精細に学ぶ。物理的、肉体的、心理的、精神的、文化的な影響を見る。

【人間の動物としての本来性の発見】人間の野生、本能、直観、もともと備わる自然の力とは何かを、スポーツやアウトドアなどいわゆる「動物的」と言われることからではなく、常日頃の当たり前の何気ない行動の機微を極めていくことで探る。なぜなら四六時中、人間は肉体を使って何かをしているのであり(休憩や睡眠、あるいは計算や思考といった頭脳を使う活動を含め)、単純にアスリートだけがより動物的なわけではないからだ。都会に住み今の時代の生活の中で、それでも動物的であることとは何か?

【死生観の構築】私は死を自己内包し、死に向かって準備をしながら生きている。準備の仕方は「明日死ぬかもしれないから今日を大切に力いっぱい生きよう」ではない。これは暑苦しくてむしろ嫌いな考え方。そうではなく、死はすべての命に常に存在している100%の事象だということ(だからシュレディンガーの確率論とはちょっと違う)。私たちは死に向かって生きている。生きることと死にいくことはイコールだ。病気が顕在化してからが死への第1歩ではない。毎日の中で死への準備をするとは、この体が病気か事故か殺人か自殺か何で終わるかわからないが、なんにせよ終わる時に、死の瞬間を意識が捉え、受け入れ、死と合一することだ。そのために今はチベットのボン教及び仏教に伝わるドリームヨーガをやっている

【人生をアート作品とする試み】頭の中に浮かぶアイディア。「こういう社会がいいな」「こういう世界がいいな」「もっとこうしたらいいのに」「こういうことってできるんじゃない?」自分の思想、価値観、世界観を毎日の暮らしにおいて実行、体現するのが私のアート。絵を描いたり、彫刻を作ったり、映画を撮るのと結局は一緒です。自分の哲学を表現すること。私のメディアは私の毎日の人生。「見せる」「発表する」ことに重きを置いてないので、従来のアートとは違うかもしれませんが、いちようそのアートでお金を集めて生活してます(上記のお金の実験)。どうやって呼吸して、どうやって歩いて、どうやって人と出会って、どうやって一つ一つの行動を選択して、どうやって生活を成り立たせて、どうやって毎分毎分、毎秒毎秒を過ごしているか。人生をアート作品とするには、意識が常に覚醒していること、身体と意識と魂が常に一致して、この身体の中に宿っていることが大事だと思っているので、毎日その練習をします。練習方法は今はチベタンドリームヨーガです。なぜなら、夢見ている間、寝ている間の身体と意識も取り扱っている体系化された理論だからです。

What got me practice Tibetan Dream Yoga

“Iguana bites those who don’t dream.”

– a man from “Waking Life”

 

Lately I often receive this question. Therefore, I decided to recap my thoughts.

1. Embracing death

Since my mid 20’s, I was keen to find a way of internalizing the notion of death, theoretically, emotionally, and physically. That intellectual curiosity became a fatal matter to me after dad’s death. I was immersed in a deep and stumbling exploration of death and life during the grieving and coping process . Tibetan Buddhism is one of few extraordinarily logical systemic (different from “realistic” or “viable”) methodologies that explicitly deal with death. Not all but many parts of the philosophy resonates me. I can easily relate to the world view that Tibetan Buddhism offers. Furthermore, I would like to cultivate capability of facing my own death, the art of dying. Tibetan Dream Yoga gives me a tangible technique for that. Every night, we are in a state as if we were dead. How to treat that state of mind and body and how to apply it to the time of our death?

2. Being in action for 24/7

Tibetan Buddhism utilizes the time of dream and sleep, in addition to the time we are awake, in order to optimize their practice. I hear that top-notch professionals and experts (e.g. musicians, athletes, dancers) spend in average 7 hours per day in practicing their skills. My instrument is neither a piano, a violin, nor a tennis racket. It’s my mind and body and its relationship. I want to excel at being connected to the consciousness and body all the time and expand the capacity. Why not practicing 24/7 as there is a method already!

3.  Sleep is the most stormy time

The more calm, aware, and alerted I became able to stay during day time owing to my practice of meditation, yoga, and intellectual and spiritual journeys, I noticed that I felt most exhausted right after sleep, that is, when I woke up in the morning. My karmic traits; fear, anxiety, concerns, anger, past memories, unconscious influences from internal and external worlds, innate body functions, etc. were unharnessed. The purification and detoxication happened during sleep, though it was nothing like nightmare or anything. More like a lot of hard core exercise done, my body sensed. My ability of being meditative and mindful was all gone during sleep, because I was asleep! How could I maintain it? In general, it’s considered to be impossible. But, hey! Tibetan Buddhism has developed a way of advancing dreaming and sleeping time.

Last year, finally, a serene pond of inner peace was discovered within myself. I know how to get there, as long as I’m awake and conscious. How wonderful it would be to take a a walk there while I sleep as well. I’m determined to become, “I’m asleep and yet conscious.”

 

 

 

 

思考の糸車

 

意識を明晰に「ここ」に静かに留まらせようとしても、気づけば思考の糸車はまわって糸がたわんでいる。糸のたわみに気づくたびに糸を巻き戻す。しかし数秒後には意識はまた思考の旅に出る。どういった流れで思考のプロセスが始まるのか足跡を辿ると、知りたいという欲求と伝えたい(=知ってもらいたい)という欲求が根底にある気がした。多くの種類の思考の性質を解析すると、知りたいという欲求と伝えたい(=知ってもらいたい)という欲求に帰属するのではないだろうか。不安や恐れといった感情も、知りたいけれど知らない、わかっているべきなのにわかっていない、伝えたはずなのに伝わっていない(ようだ)、といったダイナミクスが関係している。死への恐怖は「死ぬかもしれない」「もう生きていけないかもしれない」という、知っておきたい生の確率がわからないからだと捉えられる。

話が脱線するが、死への不確実性は常に在る。いつでも「死ぬかもしれない」のだ。にもかかわらず、心身が「健常」な状態の時は、死ぬかもしれない恐怖に脅かされずに「正常」に「平静」に過ごすことができる。ということは、私たち人間は、知りたいけれど知らないことを、あたかも知っているかのように錯覚してい生きることが前提条件として必要ということになる。人間の精神の健全さは誤認に依っているわけだ。この誤認の上に「生きたい」という欲求が加わることで、人のいのちは(死に向かって)前進していく。さらに余談だが、生きたいと逝きたいが同じ音なのは面白い。

話を元に戻す。睡眠中に見ている夢の間も意識を明晰に「ここ」に静かに留まらせる訓練をしていると、夢がまったく起きている(waking)日常と違う別世界ではなく、夢もまた思考であることがありありとわかってくる。起きている間の思考と寝ている間の思考(=夢)は、もちろん性質は違うし脳科学的にも異なる現象だろう。しかし夢は、過去の体験、読んだ物語、学んだ知識、ずっと胸にしまっている感情、家族との夕べのやり取り、大好きな音楽が与えてくれるビート、1年後の自分の状況への懸念、肩にのしかかるプレッシャーなど、日頃私たちの頭=思考を埋めつくすものが、違うバランスで配合されて出現しているに過ぎない。違う配合だからまったくの別世界になるのは、同じ材料を使っても分量と混ぜる順番と変えるだけでスポンジケーキにもパイ生地にもクッキーにもなるお菓子と似ている。火加減で丸焦げになる時があれば、生焼けで液体のままの時もある。まったく違う材料が多少は夢に加わっているだろうが、ベーキングパウダーほどのものではないだろうか。

お菓子作りのような毎日の夢を、まずはどんな材料で何を焼いたのかを明晰に把握する。それから、ではさとうきびから作りましょう、小麦粉から育てましょう。じゃあどの土地の土と水がいいですかね?と一つ一つを手に触れてawakened していくのが、私が取り組んでいるチベットドリームヨーガかもしれない。意識のレイヤー自体を変えることで(大きく3つの意識レベルと対応する身体レベルがあるとされる)、夢の性質と中身をトランスフォームさせ、人間本来が持つ自然体の意識に近づいていく技だ。

 

Dream Yoga. Dream Berlin.

すべては現、すべては夢。

All is reality. All is dream.

A book I’m reading is about Tibetan Buddhism and its Dream Yoga Tantra. Tibetan Buddhism practitioners train themselves in order to liberate from their karma, or at least to travel the bardo (the intermediate state between death and new birth of reincarnation) safe and sound so that they get a closer-to-enlightened existence in the next life.

Their “training gym” is dreams during sleep. To precisely put, they first practice to control their mind while they are awake at the gross conscious level, such as meditation, breathing, yoga and mantra. Once they become capable of harnessing their mind at a certain degree while awake, they begin practicing to access their dreams while sleeping and learn a skill to maintain consciousness in it. In other words, a lucid dream as you know it.

The lucid dream is not easy to get in the beginning. Therefore, Dream Yoga teaches to establish the dream state while they are awake during day time in order to keep the same state in the dreams.

How? What they do is simply to perceive and capture everything as “dream”; psychological, mental, or materialistic phenomena;  tangible objects; and own physical body. Everything that happens in either the waking or dream state is dream. There is no difference in the waking reality and dream. Both are reality. And both are dream.

To me, living in Berlin is like having a dream in sleep. Everything is new, strange, unfamiliar, and alien. I sometimes fall into such a bizarre psychedelic state that I can’t fully grasp the fact that I walk down on a street in Berlin on my way home. It’s unrealistic! surreal! I was living in Japan. All of a sudden, I’m living here! Wow! How that happened?!? Did I really do it? Holy shit! I’m walking down a street in Berlin to go home and cook dinner!!!

Streets, buildings, trees, dogs, people…  All the scenes in this city are still so fresh to my eyes and cognition that it blurs me out and makes the reality dream-like.

I don’t have to go through a strict training but merely strolling in town gives me that precious state of mind. Lucidity. Alerted consciousness leaves tranquility to me. Pains that stem from my gross body float away and vanish. Eyes wide shut (the perfect phrase to describe this).

My everyday is indeed lucid. I’m straying into a maze of dream of reality…